Cover of the 45 No Jazz in Italy 2, March 1960 (Cetra, EPD-37)
Titles of pieces: "Theme for Frank" (M. Lama);
"Line for Lyons" (G. Mulligan), "Fine and Dandy" (K. Swift & P. \u200b\u200bJames)
Training : Enrico Rava, trumpet; Maurizio Lama, piano;
Philip Faguttin, double bass, Franco Mondini, battery.
"Interview with Enrico Rava"
About the accompanying CD anthology necessary Notes:
Among other things, the first piece of the CD (Fine and Dandy, Ed) incision is very old ...
I put that piece for a historical reason. It belongs to a record that no one knows. E 'engraving of 1960, I was twenty. Seeing him, it seemed that sound more or less sound now, which amazes me, considering I played for just two years. In addition, in that song There is also a dear friend (Franco Mondini), which in those years was the drummer for Chet, and I wanted it to be somehow present in the anthology.
Francesco Ughi, Jazzitalia
"The best musician of Turin was ☛ Franco Mondini, who played drums as a professional. He was a character known throughout Italy, foreigners knew and called him willingly. And so he happened to work with the Europeans on the ball, they passed by Italy and sometimes even abroad, such as Bobby Jaspar and René Thomas. And even with Chet Baker, in the first period in which was in Italy. "
Stock Jazzitalia, Jazz in Turin with Enrico Rava
"Among the young jazz musicians in Turin, Maurizio Lama was playing the piano better. His family was Roman and had moved to Turin because of his father's work. We were close friends, went out on Sunday with the girls. My first groups of modern jazz were with him. "
Enrico Rava and Alberto Riva, Notes necessary
☛ moncalieri JAZZ - PRIZE "MAURIZIO LAMA"
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